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春夜的喜雨在窗外浙浙沥沥下个不停,敲得遮雨棚丁丁冬冬,我在画室灯下翻着《问雨花鸟》和《河北当代国画优秀作品集》两本画册,端详着问雨在祁连山大漠前那银发轻扬的照片,仿佛一下子就回到了上世纪60年代在天津美院同窗时的情景,回到了80年代一起搞年画创作时的情景,也忆起了他自石门来邯小酌,聊天谈艺时的音容笑貌。闹“非典”期间我在北京,后来才听说他突然病故了,我却未能见他最后一面……然而,画如其人,睹画亦如见面,思友之情益深。问雨的画,用其子张驰的话说:“简约,浓烈,醇厚。”我以为说到了点儿上。我认为问雨的花鸟画不独浓烈、醇厚,还充满着稚拙的天趣,属于拙中寓巧,大巧若拙。问雨在入天津
Spring night’s joyful rain in the Zhejiang and Lili of the window the next non-stop, knocked the canopy Tintin winter and winter, I am in the studio lamp turned over the “rain bird” and “Hebei contemporary Chinese painting outstanding works” two albums, Asked the rain in front of the Qilian Mountains before the deserted silver photos, as if suddenly returned to the 1960s in the Tianjin Academy of Fine Arts scene, returned to the 80’s with New Year pictures together when the scene, but also recalled his since Shimen Handan drink, chat talk about the audio and video art. During the SARS period, I was in Beijing. Later I heard that he suddenly died. I failed to see his last face ... However, painting such as painting witnesses is like seeing others. Asked rain painting, with his son Zhang Chi said: “Simple, strong, mellow.” I thought it was a little on. I think asking rain flowers and birds painting is not strong, mellow, but also full of childlike innocence, belongs to the cunning, daring. Asked the rain into Tianjin