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我国壁画创作中一个显著的特点便是鲜明、简洁、醒目,正因如此,我国壁画具有极强的装饰性。除此以外,我国壁画还喜欢强调“天人合一”的思想,这也与我国传统的儒家文化影响有关。在壁画创作中,艺术家强调装饰图案的整体效果,“以整体为美”为艺术创作的最高形式,它不局限与客观事实,更强调艺术家的心理状态和审美需求。这也与装饰画中强调审美需求而非写实相契合。在传统壁画创作中画家的创作思维对今天的装饰画艺术创作仍有较大的影响,将传统壁画创作中的思维方式运用到现代装饰画创作中,可以使现代装饰画创作更具民族性和感染力,丰富装饰画的艺术表现形式和创作方式。本文就壁画创作中的思维在装饰画创作中的运用进行研究,以使二者更好的结合。
One of the notable features in the creation of murals in our country is its distinctive, concise and eye-catching features. For this reason, the murals in our country are highly decorative. In addition, the murals in our country also like to emphasize the idea of “harmony between man and nature”, which is also related to the influence of our traditional Confucian culture. In mural creation, the artist emphasizes the overall effect of the decoration pattern and “the whole is the beauty” as the highest form of artistic creation. It does not confine itself to the objective facts, but also emphasizes the artist’s psychological state and aesthetic needs. It also coincides with the emphasis on aesthetic needs rather than realism in decorative paintings. In traditional fresco creation, the creative thinking of painters still has a great influence on today’s decorative art creation. Applying the thinking method in the traditional fresco creation to the modern decorative painting creation can make the modern decorative painting more ethnic and Appeal, enrich the decorative art forms and creative ways. This paper studies the application of thinking in the creation of decorative paintings in the creation of frescoes to make the two better combined.