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1991到1993年间,我应纽约市立大学美术院长瑞德之邀去作学术访问。在此期间,除了教学研究和在纽约、麦阿密举办三次个展外,还先后考察了美国、法国、意大利、加拿大等国的美术馆和画廊,并观摩研究了一些油画作品。回来后,朋友曾问起我对西方一些美术馆及画廊管理特色的感受及有关观摩油画原作的体会。在这篇文章里我想仅就这两个方面的问题,作一些探讨。乍一看这两个问题似乎相距甚远不必放在同一篇文章里讨论。实际上美术馆就是创造和提供观赏原作条件的场所,它如何管理,很大程度上影响着对原作的欣赏和观摩。另一方面只有在收藏、设备和管理良好的
From 1991 to 1993, I was invited to make an academic visit at the invitation of Rhett, art director of the City University of New York. During this period, in addition to teaching and research and three solo exhibitions in New York and Miami, he also visited art galleries and galleries in the United States, France, Italy, Canada and other countries and observed some oil paintings. When I came back, my friends asked me how I felt about the management features of some galleries and galleries in the West and the experience of watching the original paintings. In this article, I want to make some discussions only on these two aspects. At first glance these two issues seem far apart and need not be discussed in the same article. In fact, the art gallery is to create and provide conditions for viewing the original place, how it is managed, largely affect the original appreciation and observation. On the other hand only in the collection, equipment and well-managed