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漆树原产我国,漆器髹饰工艺是我国先民的伟大发明。漆器曾以轻便、美观、耐用、抗腐蚀等优点,成为中国人生活用具的主角。但随着瓷器的出现,漆器在实用器皿中的地位逐渐受到挑战,但又同时促使漆器在裂变中走向更新。到了宋代,随着工艺技艺的进步,漆器实用性一步步减弱,装饰性、绘画性一步步增强。明中后期,漆艺精致备极,部分漆器以装饰为最高目的,完全脱离了生活实用。这时候的一些漆器作品充分表现出大漆漆质之美和雕漆工艺之精,一些作品则完全按照中国画布局,再现了江南平和宁静的文人生活画卷。时至今日,当粗糙的、雷同的、没有情感
Lacquer tree origin China, lacquer ware decoration craft is a great invention of our ancestors. Lacquer ware once lightweight, beautiful, durable, corrosion-resistant, etc., become the protagonist of Chinese living appliances. However, with the advent of porcelain, the status of lacquerware in practical wares has gradually been challenged, but at the same time the lacquerware has been driven to renew its fission. In the Song Dynasty, with the improvement of craftsmanship, the practicality of lacquer ware gradually weakened, and the decorative and pictorial features were enhanced step by step. In the middle and late Ming Dynasty, lacquer art is exquisitely crafted, and some lacquer ware is decorated for the highest purpose, completely out of practical life. At this time, some lacquer works fully demonstrated the essence of lacquer quality and the craft of carving lacquer. Some works completely followed the layout of Chinese painting and reproduced the quiet and peaceful life of the literati in Jiangnan. Today, when rough, the same, there is no emotion