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当今的美术界对于中国画色彩问题的研究,大多都在对于古代绘画的研究上,很少会注意到民间艺术对于当今绘画所起到的重要的启迪作用,而本文提出的从民间艺术的角度来谈论中国绘画的色彩问题,是从两种艺术相互影响,相互指导的角度,两者的辩证统一关系,既有相互影响的一面,又有相互统一的一面。通过这样的研究视角促使当代的艺术界从新的角度、新的态度去研究艺术问题。
Most of the studies on the color issue of traditional Chinese painting in the contemporary art circles rarely pay attention to the important enlightenment effect of folk art on today’s painting while the research on ancient painting seldom notices the importance of folk art in contemporary art. Talking about the color issue of Chinese painting is the dialectical unity of the two from the perspective of mutual influence and mutual guidance of the two kinds of arts. There are both interactive and mutually unifying aspects. Through such a research perspective, contemporary art circles are encouraged to study art issues from a new perspective and a new attitude.