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查尔斯·赖特是近年来逐渐走入评论家视野的美国当代重要作家,2014年获美国桂冠诗人称号,其诗歌创作具有鲜明的个人特色。赖特在《奇克莫加》的风景诗中大量融入绘画元素和技巧,使其风景诗与绘画——尤其是现代派绘画——具有明显的一致性。其风景诗借意象、色彩、线条对自然景物进行白描式刻画,并偏重沉默、孤独与静思的视觉效应,而留白等绘画技巧转化为赖特诗歌中“以缺失凸显存在”的书写策略,并进而形成其“少即多”的创作原则,以此实现了诗歌意境的最大化延展;同时,赖特通过画家之“眼”灵视自然景物,借风景描绘实现联想式的诗歌结构布局,以外在风景观照内心世界,强调诗歌作为“灵魂建构”的功能性,以独特的意象式叙述使其诗歌成为灵魂的风景画。
Charles Wright is an important contemporary American writer who gradually stepped into the field of view of critics in recent years. In 2014, he was awarded the title of a poet in the United States and his poem has distinctive personal characteristics. Wright has incorporated a large number of elements and techniques of painting into the landscape poems of “Chickamauga,” making it clear that landscape poetry is consistent with painting - especially with modernist painting. His landscape poems depict the natural landscapes in white sketches by means of images, colors and lines, emphasizing the visual effects of silence, loneliness and meditation, while the techniques of drawing from the blank are translated into Wright’s poems Writing strategy, and then to form his “less then ” creative principle, in order to achieve the maximization of artistic conception of poetry; at the same time, Wright through the artist’s “eyes” spiritual natural scenery, The structure of associative poetry is based on the inner world of landscapes, emphasizing the function of poetry as “soul construction ” and the unique and imaginative narration of making the poetry into the soul landscape.