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金秋十月,河北省举办的梆子声腔艺术展演活动圆满结束。活动期间,在河北省艺术研究所承办的系列研讨会上,一个核心的话题是“梆子声腔艺术、中国戏曲艺术,如何在传承中求发展”。研讨大体围绕着一个思路:“如何在传统戏曲艺术中融入现代意识”。在随后的第十一届中国艺术节上,一部昆曲几近完美地将这一思路呈现在舞台上,让我热血沸腾、感动落泪。本文从以下五个方面进行梳理,这部昆曲如何在传统戏曲艺
In the autumn of October, Bangzi acoustic chamber art performance held in Hebei Province was successfully concluded. During the campaign, a key topic at the series of symposiums hosted by the Hebei Institute of Arts was “How to develop the art of Chinese opera, how to inherit it”. The discussion centered around a train of thought: “How to integrate modern consciousness into traditional opera art.” In the subsequent 11th China Arts Festival, a Kunqu nearly perfectly presented this idea to the stage, making me excited and moved to tears. This article sorts out from the following five aspects, how this opera in the traditional opera arts