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本文根据二○○六年的第二届兰亭奖与二○○九年的第三届兰亭奖的获奖作品(包括提名奖)进行数理统计研究,分析当前书坛流派的发展动态,结合当代书法文化背景的社会现状作出了深刻反思。观察两届兰亭奖的获奖作品可知,二王“新帖学”成为当下书坛的主流,在当代书坛掀起了热潮。这仅仅是以刻意模仿为旨归,追逐流行“时尚”的一种审美心理的表现。由此,作为当代书坛一种“时尚”的二王“新帖学”书风,促使着许多书家“趋时贵书~,导致碑派书法势单力薄,大行草书风萎靡不振,碑帖结合的书风荡然无存,前些年的”流行书风“成为末流。由此看来,当代一些书家已被信息万变的商品化意识和功利主义思想所消解,从根本上说很难创作出充满生命活力的经典之作。
Based on the mathematical statistics of the second Lanting Award in 2006 and the third Lanting Award in 2009 (including the nomination award), this article analyzes the current developments in the schools of calligraphy, Cultural background of the social situation made a profound reflection. Observe the winning entries of the two Lanting Awards, we can see that the two kings ”New Pien Tze “ has become the mainstream of today’s book market, setting off a boom in the contemporary book market. This is just a deliberate imitation for the purpose of chasing fashion ”fashion “ an aesthetic performance. As a result, as a kind of contemporary calligraphy, the two wangs of ”fashion “ ”new post study “ style of writing, prompting many book writers The cursive style of the cursive calligraphy and the combination of the calligraphy and calligraphy disappear, and in the last few years ”the style of the popular book " becomes the last resort. From this, some contemporary book authors have been criticized by the ever-changing commercialization and utilitarian ideology By digestion, it is fundamentally difficult to create a classic full of vitality.