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如果说人们在那些被“左”视镜片蒙住视力的日月,对文学艺术(包括戏剧)的娱乐功能讳莫如深,避而不谈,或矢口否认,断然斥责,文学艺术的多重社会功能,唯有认识和教育的功能被荣幸、被器重,那么,在如今这政治清明,月朗日丽,“改革”、“开放”、“搞活”的年月,文学艺术的社会功能的多重性则在人们的认识和艺术实践中得到了扩展。人们不仅重视文学艺术的认识和教育的功能,而且关注并呼唤着、追求着文学艺术的审美功能和娱乐功能.戏剧作为文学艺术总体中的一个古老的门类,自然也不例外。笔者把自己的“臆说”局限于戏剧,并撇开其多重社会功能,只审视、考究其也许尚未被人们重视的娱乐功能的独特性——双轨性。文学艺术各门类的娱乐功能一般都是单轨
If people talk about the entertainment function of literature and art (including drama) secretly, avoid talking about or denying, categorically denouncing the multiple social functions of literature and art, The function of knowing and educating is honored and taken care of. So in this age of political clarity, eruptive, “reform,” “openness,” and “invigoration,” the multiplicity of the social functions of literature and art lies in People’s understanding and artistic practice has been expanded. People not only pay attention to the literary and art awareness and educational functions, but also pay attention to and call for the aesthetic and entertainment functions of literature and art.As an ancient category of literature and art, drama is no exception. The author confines his “gossip” to drama and aside from its multiple social functions, he examines and examines the uniqueness of the entertainment function that perhaps may not have been valued by people - double track. The entertainment functions of all categories of literature and art are generally monorail