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也许还有很多人对几年前“罗丹雕塑展”的盛况记忆犹新,仔细算起来,那已经是上个世纪的事情了。当人们围在中国美术馆的栅栏外,看着巨大的思想者被吊车徐徐放下时不禁长叹一声,“久违了,大师！”今秋,另一位欧洲雕塑大师也悄然来到。当你漫步于北海公园的红墙碧水间,会突然发现,在十月北京湛蓝的苍穹下,早为中国雕塑家们所熟悉神往的亨利·摩尔已来到你的面前。 亨利·摩尔(1898-1986)是西方
Perhaps there are still many people who remember the grand occasion of the “Rodin Sculpture Exhibition” a few years ago. Carefully, it is already a thing of the last century. When people around the fence of the China Art Museum, looking at the huge thinkers who were slowly lowered when the crane can not help but sigh, “a long absence, master!” This fall, another master of European sculpture quietly came. As you wander through the red walls and clear water of Beihai Park, you suddenly realize that Henry Moore, who was familiar with Chinese sculptures as early as October under the blue sky in Beijing, has come to you. Henry Moore (1898-1986) is the West