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1947年1月29日,纽约百老汇,一个陌生作者的新剧悄悄拉开了帷幕。这部名叫《全是我的儿子》的独幕剧以小厂主乔·凯勒在二次大战期间投机取巧,用次品的飞机汽缸谋利,在造成机毁人亡事故后又嫁娲好友,自己却继续试图逍遥法外的故事为戏剧冲突,强烈抨击了无视国家和社会的自私自利。没有多少人对这次演出抱有多大信心,在这个好莱坞电影泛滥成灾、商业性活动充斥舞台的时代,还有
January 29, 1947, Broadway, New York, a strange playwright quietly opened the curtain. The one-act play, “All My Son,” was directed by Joe Keller, a small factory owner, who was opportunistic in the Second World War to profit from a defective aircraft cylinder and married a friend after causing a crash. The story of himself continuing to try to go unpunished is a drama clash, strongly attacking selfishness that ignores the state and society. Not many people have much confidence in the show, in the Hollywood movie overflowing, commercial activities full of stage, there are