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我在84年以前一直从事超写实,早年的画受到西方绘画的影响,从事“第二自然”,“人造环境”的超写实绘画。使用像机拍摄,并与波普艺术观一样“将自然中的景观,纳入绘画再创造的要素”。主要从事物的外表观察,用像机忠实地拍摄客观物质活动,自己很难介入,只能加一点构思和取舍。 ·84年以来,我认为,如果一个画家内在的潜能已经达到了饱和程度,还继续延续他的绘画形式,那他的高峰就已过去了,而且创造性已趋向完结。因而我在画着一些小品,画了一批看不见物体
I was 84 years ago engaged in ultra realistic, early paintings by Western painting, engaged in “second nature”, “artificial environment” of ultra realistic painting. Use the camera to shoot and, like Pop Art, “incorporate natural landscapes into the elements of painting re-creation.” Mainly from the appearance of objects observed with the camera faithfully shooting objective material activities, it is difficult for them to intervene, only add a little idea and trade-offs. For 84 years, I think that if a painter’s inherent potential has reached its full potential and continues his painting form, then his peak has passed and creativity has come to an end. So I draw some sketches, draw a group of invisible objects