论文部分内容阅读
“荒诞派”是二次世界大战后出现在西方的一个重要的戏剧流派。英国戏剧评论家马丁·艾思林在《荒诞派戏剧》中对此作了专门研究,分析了它们的思想特征和艺术特征,把它们正式命名为“荒诞派戏剧”。 荒诞派戏剧的主要代表作家有贝克特、品特、尤涅斯库、阿达莫夫、涡比和库塞尼等。他们都从不同的侧面反映了世界瞬息万变、不可捉摸、不可理喻的荒诞性;人与人之间互相隔绝、孤独陌生的荒诞状态;人被物化、人与物隶属关系的彻底颠倒;人失去自我本质的异化。荒诞派戏
“Absurd” is an important drama genre in the West after the Second World War. British drama critic Martin Asilin made a special study in The Absurd Drama and analyzed their ideological and artistic features and formally named them “Absurd Drama.” The main representative writers of the Absurd Theater are Beckett, Pinter, Youniscu, Adamov, Vortex and Kuseni. All of them reflect from different aspects the fast-changing, unpredictable and unreasonable absurdity of the world; the absurdity of being isolated from each other and the strangeness of loneliness; the complete reversal of the relationship between human beings and people and things; the loss of self Essence of the alienation. Absurd drama