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众所周知,根艺是一个独特的艺术门类,它与其它艺术一样,起着决定因素的是人。但是,人作为艺术的主宰者,所要追求的最高艺术境界是什么呢?是“自然”!只不过这个自然不是天然造化的纯自然,而是艺术化了的自然,这个自然与纯自然在艺术中的相互关系,美学家康德说得非常清楚——“自然看起来像艺术时是美的,而艺术看起来像自然时是更美的”。我们从这一哲理中可以明确地分清自然的两种不同的概念:一是纯大自然造化的自然;二是人化了的艺术自然。笔者此文的目的,主要是强调人化了的艺术自然这一在根艺界较敏感的问题。大家都知道,雕塑大师罗丹在他的艺术创作中崇尚自然、尊重自然,并把自然视为艺术的生命。虽然他的作品都是纯人
As we all know, root art is a unique art category, which, like other arts, plays a decisive role in people. However, what is the highest artistic realm to be pursued by man as the master of art? Naturally, this is not nature’s pure nature but art’s natural nature. This natural and pure nature In art’s interrelationship, the esthetician Kant makes it very clear- “Naturally it looks like art is beautiful, and art looks more natural than natural.” From this philosophy, we can clearly distinguish between two different concepts of nature: the nature of pure nature; and the humanized nature of art. The author’s purpose of this article is mainly to emphasize the human nature of art and nature in the root arts more sensitive issues. As we all know, the master of sculpture, Rodin, admires nature in his artistic creations, respects nature, and regards nature as the life of art. Although his works are pure