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5月3日、4日,陆帕导演的托马斯·伯恩哈德的《英雄广场》于天津大剧院上演。从文本而言,《英雄广场》以教授约瑟夫的自杀为开端,从参加葬礼的人入手,借管家吉泰尔、弟弟罗伯特、女儿安娜之口,从侧面一点一点浮现了约瑟夫自杀的缘由,反映了二战之后奥地利犹太知识分子家庭的生存现状与对此的思考。与二战相关的作品很容易将犹太人自己置于弱势群体里,对历史进行控诉,对现状提出批判,而伯恩哈德关注的并非仅仅如此。当回归平静后,战后反思,让生活变好
On May 3 and 4, Thomas Byrne’s “Heroes’ Square” directed by Lu Papa was staged at the Tianjin Grand Theater. From a text perspective, “Heroes’ Square” begins with professor Joseph’s suicide. Starting with those who attend the funeral, Guatel’s younger brother Robert and daughter Anna portray the reasons for Joseph’s suicide , Reflecting the survival of the Austrian Jewish intellectual family after the Second World War and thinking of this. Works related to the Second World War can easily place Jews themselves in vulnerable groups, prosecute history and criticize the status quo, which is not the only concern for Bernhard. When the return to calm, post-war reflection, make life better