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尚扬在《吴门楚语》中放弃了自己先前的绘画惯例:画框、画布、颜料以及由它们组成的画面形象。这次,他运用了新的物质材料进行创作。这些创作与其说是绘画,不如说是制作:有些是通过火的方式烧制而成,有些是通过粘贴的方式拼装而成,有些是通过铸造的方式改造而成。尚扬运用了许多新的材料、新的物质作为作品的构成要素。尽管这些作品的最终形式看上去还是以绘画的面貌出现(这些作品是以平面画框的形式来完成的),
Shang Yang renounces his previous painting conventions in the Wu Men Chu language: picture frames, canvas, paint, and the image of the screen composed by them. This time, he used new material to create. These works are not so much as paintings, they are produced: some are made by burning fire, others are by way of pasting, and some are made by casting. Shang Yang uses many new materials, new material as the composition of the elements. Although the final form of these works appears to still appear in the form of paintings (these works are done in the form of flat frames)