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一、关于董其昌山水画“南北宗”说的争议中国山水画分南北二宗之理论,于明万历年间由董其昌、莫是龙、陈继儒三人提出。“立刻得到绝大多数画家的承认,继承发展到了清朝,成了‘正宗邪派’的立论根据,盛行300多年……影响之大,无与伦比。日本人竟把中国画称为南画,可见南宗势力之大。”(俞建华《中国山水画南北宗论》)该理论最具代表性的表述,系董其昌《容台别集·画旨》卷四中所说:“禅家有南北宗,
First, the controversy over Dong Qichang’s landscape painting ”Northern and Southern Sects“ The theory of two Chinese landscape paintings in two divisions of South and North China was proposed by Dong Qichang, Mo Long and Chen Jiru in the Ming Dynasty. ”Immediately recognized by the vast majority of artists, inherited and developed into the Qing Dynasty, has become the basis of the argument of“ authentic evil school, ”prevailed for more than 300 years ... influence is unparalleled .Japanese actually call the Chinese painting South, we can see the South “(Yu Jianhua” Chinese landscape painting North and South Sect “) the most representative representation of the theory, the Dong Qichang” Rongtai do not set painting purposes, “volume IV said:” Zen family has North and South cases ,