创作《鹿乡姐妹》引发的一点思考

• 作 者: 李文国
• 机 构: 黑龙江省龙江剧院,
• 出 处: 戏剧文学
• 发表日期: 2012年11期
• 关键词: 吉剧 难舍 剧作家 剧种 锣鼓 东北二人转 戏剧艺术 板腔体 唱腔 吉林省文化厅

大型现代吉剧《鹿乡姐妹》孕育了近四年,修改了二十多次,六位优秀剧作家加盟,先后立了三个版本。这个“难产儿”终于出生了。她是个令人惊奇的“怪胎”还是个招人喜欢的“混血儿”?这要让观众来“验明正身”。在党的“十八大”即将召开前夕,这个戏作为全国优秀剧目之一进京展演。众所周知,首都观众比较挑剔,怀着忐忑的心情敲响了锣鼓,伴随着掌声和笑声落下了帷幕,谢幕的时间比较长,观众驻足难舍。演出结束后,专家们比较兴奋地进行了研讨,在高度赞誉的同时,

Large modern Ji opera “deer township sisters” gave birth to nearly four years, modified more than 20 times, six outstanding playwright joined, has set up three versions. This “childbirth child ” was finally born. She is a surprising “freak ” or a favorite “half-breed ”? This allows the audience to “verify the right body ”. On the eve of the party’s “18th National Congress,” the show is to be performed in Beijing as one of the nation’s finest repertoires. As we all know, the capitalist audience is more picky, with the grudge sounded the gongs and drums, accompanied by applause and laughter came to a close, the curtain call for a long time, the audience stopped. After the performance, the experts conducted a more excited discussion, while highly praised at the same time,