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画如其人。每个人的画都有自己的面貌。这是因为各有所好的缘故。所以,就出现了各种各样的画和画法。这些画是不一样的。但是否都是好画呢?恐怕好画还是少数。对这些画进行认真的分析、比较,是很有意思的。看看这些画,除掉作者的修养、气质方面的东西,还有哪些共同的因素呢?前人给我们留下的东西,要我们去想,特别是通过自己的实践去验证,那些是十分重要的。主要是通过自己的实践逐步加深体会。 就风景画而言,我觉得有这样几条是不可少的,那就是:师造化,以情作画,不失大体,有取有舍,步骤贯气,讲究笔墨这样六点,下面就谈谈自己的体会: 第一,师造化。“搜尽奇峰打草稿”,是石涛的一句名言,是一种师造化的方法。观察大自然或画一些速写到画室加工,画成完整的作品,这是中国画通常的作画方法。油画呢?画几笔速写,单凭着记忆把明度和造型、外光色彩和微妙的色调画出来,就不那么容易。
Draw as people. Everyone’s painting has its own face. This is because each has its own good reason. So, there have been a variety of painting and painting. These paintings are not the same. But are all good paintings? I am afraid that painting is still a minority. It is interesting to carefully analyze and compare these paintings. Look at these paintings, get rid of the author’s self-cultivation, temperament aspects, what are the common factors? What predecessors left to us, let us think, especially through their own practice to verify that those are very important. Mainly through their own practice and gradually deepen the experience. As far as landscape is concerned, I think it is indispensable to have such a few pieces: that is, teachers should make good fortune and love to paint without losing their generality. My own experience: First, teachers of good fortune. “Search Qi Qifeng draft draft” is a famous phrase of Shi Tao, is a method of making good fortune. Observe nature or draw some sketches to the studio processing, painting into a complete work, this is the Chinese traditional painting methods. Painting it? Drawing a few sketches, relying solely on the memory of lightness and shape, light color and subtle colors drawn, not so easy.