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中央美术学院油画系于2015年9月主办的“欧洲坦培拉绘画高研班”由油画系第五画室承办,并特邀旅法著名画家戴海鹰先生讲学。戴海鹰先生对欧洲传统经典绘画中最古老的坦培拉技艺倾其心力深入研究40余年,有着丰富的艺术实践经验、文化思考和创作成就。本次教学主旨是深化探究坦培拉绘画语言演变规律,为此选译了西方美术史中的重要文献《艺术之书》中的有关章节作为教材。《艺术之书》是由乔托第三代徒孙切尼诺·切尼尼编撰,记述跟随老师昂诺洛学习所得的经验,显示乔托画派的艺术观念、绘画原则及造型技巧。本书成于1437年7月31日。因内容记述老师教学,而老师逝世于1387年,故本书内容应属1387年之前。由于本书是作者12年学生生涯的经验记述,故本书撰写日期,或应按内容推前至14世纪末。法译本最先由安格尔的学生维克多·莫特兹翻译,1858年出版。由于种种原因出现疏漏,直到1991年,克莱特·德罗什重新翻译,依据各种版本、译本对照,确定法译本文词用意的确切。选译章节依据克菜特·德罗什译本译出。文中插图为戴海鹰先生为本文选配的相关作品。
The Oil Painting Department of the Central Academy of Fine Arts, hosted by September 2015, hosted the Fifth Workshop of Oil Painting Department in Europe and invited Mr. Dai Haiying, a famous painter in France to give lectures. Mr. Dai Haiying studied the oldest techniques of Tambela in traditional European classical paintings for more than 40 years and has rich experience in artistic practice, cultural thinking and creative achievement. The purpose of this teaching is to deepen the exploration of the law of the evolution of the language of painting in Tempel, and to this end, select the relevant chapters in the important book “Art of Art” in the history of Western art as textbooks. The Book of Art, compiled by Giotto’s third-generation grandson, Chernigyl Cecini, describes the lessons learned from his teacher Anolo and shows the art of Giotto’s painting, its principles of painting and his technique. This book became July 31, 1437. Because the content describes the teaching of the teacher, and the teacher died in 1387, the contents of this book should be before 1387. Since this book is a historical account of the author’s 12 years of student life, the book’s writing date should be pushed forward as late as the end of the 14th century. French translation was first translated by Victor Mortenz, an Anglo student, published in 1858. Due to various reasons, omissions until 1991, Crete DeRoche re-translated, according to various versions, translations of control, to determine the meaning of the French translation of the exact meaning. The translation section is based on the translation of Kratt Drosch. The illustration in the text is Mr. Dai Haiying’s related works selected for this article.