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苏联“电影技师”杂志编辑部的话近几年来,电影的创作人员与技术人员都注意着电影技术的进一步发展。在科学家与工程师所研究的许多重大问题当中,立体声音宽银幕电影占有特殊地位。这种新式的电影,大大地丰富了电影艺术的创作可能性,并且使电影书面接近于我们对周围现实生活的实际的感觉。关于获得立体声音与宽银幕书面的方法已有人提出好几种,但是在设计新的系统和确定标准方面,迄今还继续进行着紧张的工作。П·塔格尔在本文中讲述了立体声音的原理,并报道了全苏电影摄影科学研究院在这方面所进行的工作。“电影技师”杂志编辑部以后将讨论宽银幕电影问题,并将刊载关于这一问题的更为详细的文章。
In recent years, film writers and technicians have paid attention to the further development of film technology. Among the many major issues that scientists and engineers have studied, stereosonic widescreen movies have a special place. This new style of film has greatly enriched the creative possibilities of cinema art and brought the movie written closer to what we actually feel about the real life around us. There have been several proposals for ways to obtain stereophonic and widescreen writing, but so far tensions have been continued in the design of new systems and standards. In his paper, Tagger describes the principle of stereo sound and reports on the work done by the All-China Film Academy in this area. The Cinematographer’s editorial department will discuss widescreen movie issues later and more detailed articles on the subject will be posted.