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王希玲是河南省郑州市豫剧团的一位小生演员。近些年来,由于她的不断努力、不断演出、不断探索,使她的舞台艺术创作愈来愈受到广大观众的热烈欢迎,愈来愈受到众多专家的重视与赞扬。本文想就她的艺术创造活动,谈一些看法。一、有我无我戏曲艺术的全部艺术创造成果,都要通过演员来体现。因此,离开演员的舞台表演,戏曲艺术便不存在了。演员的舞台表演,就是演员利用自身作为艺术创造的材料,进行艺术创作的全过程。这个过程是在观众的面前进行的。这样,演员在戏曲艺术中的地位,就显得特别重要、突出。再加上旧社会的演员多数文化水平不高或者就是文盲,戏曲艺术只能口授心传,手把手地教。所以出现了演员在,戏也在;演员
Wang Xi-ling is a niche actor in Henan Opera Troupe of Zhengzhou City, Henan Province. In recent years, due to her continuous efforts, continuous performance and continuous exploration, her stage art creation has been more and more warmly welcomed by the majority of audiences and received more and more attention and praise from many experts. This article wants to talk about her art creation activities. First, all my artistic creation without my drama art should be reflected by the actors. Therefore, leaving the actors stage performances, opera art does not exist. The performers’ stage performances are the whole process of artistic creation made by the actors using their own materials created by the arts. This process is carried out in front of the audience. In this way, the actor’s position in the art of opera is particularly important and outstanding. Coupled with the fact that most of the actors and actresses in the old society are not highly literate or illiterate, the art of opera can only dictate its teaching and teach it with its own hands. So there is an actor in the drama is also; actor