论文部分内容阅读
明·黄花梨木方台座 140×48.5×48.5cm 明代中期的书房装饰热,引发了家具变革,在文人的指导下,江南灵巧的木匠以简洁流畅的线条,使明式家具产生出一种雅逸的书法美。 50年代北京硬木家具厂将一批修复明清家具的作坊和深藏多年的“镇坊之宝”一并合营。80年代该厂经营陷入窘境,四处发函求售明清家具,应者寥寥。一位在崇文门外旧市旁长大的年轻木匠,说动了刚刚拍完《火烧圆明园》的导演李翰祥,并帮李挑选出其中的经典之作。李在北京买下一所大宅,起名为“清水山房”,将明清家具陈设起来。 15年后,嘉德公司举办了清水山房收藏的明清家具专场拍卖,总估
Ming Huang rosewood square pedestal 140 × 48.5 × 48.5cm Ming Dynasty mid-term study decoration heat, led to the furniture revolution, under the guidance of the literati, Jiangnan clever carpenter with simple and smooth lines, so that Ming-style furniture to produce a elegant Yat calligraphy beauty. 50 Beijing Hardwood Furniture Factory will be a group of furniture repair Ming and Qing workshops and deep for many years, “Town Square treasure” together. The factory management in the 1980s into a dilemma, letter sent around the sale of furniture Ming and Qing Dynasties, should only a handful. A young carpenter who grew up beside the old city of Chongwenmen said that he had just finished filming the director Li Han-hsiang who was involved in “burning Yuanmingyuan” and selected some of the classic works by Lee. Lee bought a mansion in Beijing and named it “Clear Water Mountain House,” which set up furniture for the Ming and Qing dynasties. Fifteen years later, Guardian organized a special auction of Ming and Qing furniture collected by Shimizu Yamashita