论文部分内容阅读
2004年,伊能静将投身于新戏《白门柳》的拍摄,演明末清初的侠义名妓柳如是。她说《画魂》中的奥米是她阴暗面的放大,陆小曼是她纯真任性的一个放大,张婉心是她大情大义的放大,柳如是是她男人豪气的放大。她一直想演一个男人气的女人,而这次机会对她是个挑战。
In 2004, Eneon will be devoting himself to the filming of the new play “White Gate Willow,” and elaborates Liu Chuan, a chivalrous prostitute at the end of the Qing Dynasty. She said Omi in The Painted Soul is an enlargement of her dark side. Lu Xiaoman is an enlargement of her innocence. Zhang Wanxin is an enlargement of her magnanimity. Liu Rushi is magnified by her man’s pride. She has always wanted to play a manly woman, and this opportunity is a challenge to her.