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本文通过对广西中部壮族村社的丧葬习俗、丧葬仪式音声的分析,探讨仪式用乐规律,并进一步讨论仪式音声展演背后的当地文化与局内人的互动关系。仪式中,人们在面对人、亡魂、神仙等不同的交流对象时,以不同形态的仪式音声和不同的仪式行为来达成互动,并在观念世界中建立彼此的关系。同时还以仪式音声来完成自己于仪式中的话语权力构建,以及身份、地位、情感的表述。总而言之,本文描述的是广西中部地区壮族社会文化中的各个群体,如何通过仪式音声和行为来构建自己的信仰体系、观念世界与组织结构。
Based on the analysis of the funeral rituals and funeral rituals in the Zhuang village of central Guangxi, this article discusses the rituals of ritual music use and further discusses the interactive relationship between the local culture and the insiders behind the ritual sound performances. In the ceremony, when people face different objects of communication such as people, souls, and immortals, they interact with different forms of ritual sounds and different ritual behaviors and establish their mutual relations in the conceptual world. At the same time, he also accomplishes the construction of his discourse power in ritual with ritual sound, as well as the expression of status, status and emotion. All in all, this article describes how various groups in Zhuang culture in central Guangxi can construct their belief system, conceptual world and organizational structure through ritual sounds and behaviors.