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贾平凹的《高兴》是继《秦腔》之后的又一篇长篇新作,贾平凹以乡土小说尤其是“商州系列”小说受到广大读者的青睐。而《高兴》极具浓厚的乡土气息。文中的主人公刘高兴靠捡破烂为生,一生极其艰苦,作为生活在最底层的打工者,尽管伴随他的是颠沛流离、辛酸坎坷,但面对困境时奋力挣扎的信心和勇气震撼着每一个读者。本文把作品中的刘高兴形象搬回现实社会,通过探究人物原型来对作品进行深度把握,领悟贾平凹对刘高兴个人精神的那份慰藉,进而引导读者的视线回归底层个体生命,把目光开始向生活在底层的穷苦百姓转移,去关注现实社会版的刘高兴,去探究现实原型中的刘高兴。
Jia Pingwa’s “Happy” is another long novel after the “Shaanxi Opera”. Jia Pingwa is popular with local readers especially the “Shangzhou Series” novels. The “happy” very strong local flavor. The protagonist Liu glad to rely on collecting rags for a living, life is extremely difficult, as living in the bottom of the migrant workers, though accompanied by his disobedient, bumpy, but struggling in the face of difficulties confidence and courage shook with each reader. In this paper, we return the happy image of Liu in the works to the real society. By exploring the archetypes of the characters, we can deeply grasp the works, understand Jia Pingwa’s consolation to Liu Geng’s personal spirits, and then guide readers’ eyes back to the underlying individual life, Living in the bottom of the poor people to transfer, to pay attention to the real social version of Liu happy to explore the realistic prototype of Liu happy.