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新媒体艺术的学术渊源最早可追溯至上世纪诞生的达达主义、行为主义、激浪艺术以及观念艺术等先锋艺术流派,这些艺术流派的一个共同特点就是颠覆了人们在传统理念中所秉持的对架上艺术的审美标准,由对艺术品物象的静态审美转移到对事件、过程的审美体验,瞬间的当下和参与者的再创造成为作品表现形式中不可分割的一部分。由于其内涵和外延的不确定性、基础理论的薄弱、研究方法和批评方法的欠缺造成新媒体艺术发展的诸多误区。有人把新媒体艺术的“新”理解为技术的先进性,这不免有些片
The academic origins of new media art can be traced back to the vanguard art schools such as Dadaism, Behaviorism, Surf Art and Concept Art, which were born in the last century. One of the common features of these art schools is to subvert the traditional concepts of people The aesthetic standards of art are transferred from the static aesthetics of the objects of art to the aesthetic experience of events and processes. The moment and the re-creation of participants become an integral part of the performance of works. Due to the uncertainty of its connotation and denotation, the weakness of basic theory, the lack of research methods and criticism methods have caused many errors in the development of new media art. Someone understands “new” of new media art as advanced technology, which inevitably has some films