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20世纪20年代在中国现代文坛上崛起了“乡土写实”的小说流派,主要成员有王鲁彦、台静农、许杰、许钦文、彭家煌、魏金枝等人。他们致力于表现乡土生活画面,描写农村的风俗、礼教。当30年代“左翼”文学时代到来之时,“革命”话语占据了主要的地位,这些乡土作家有些仍然坚持自己的乡土创作,继续描写乡间田园牧歌式的生活;有些则成为左翼乡土作家,开始描写农民因为压迫和剥削而最终破产、从而走上革命道路的故事。文章就以魏金枝的小说创作为例,分析“五四”乡土文学和“左翼”乡土文学之间有哪些转变。
The 1920s raised the genre of “Native Realism” in the modern Chinese literary world. The main members are Wang Luyan, Tai Jingnong, Xu Jie, Xu Qinwen, Peng Jiahuang and Wei Jinzhi. They are committed to the performance of local life picture, describe rural customs, ethics. When the era of “leftist” literature came in the late 1930s, the “revolutionary” discourse occupied the main position. Some of these native writers still insisted on their own local creation and continued to describe pastoral idyllic life in the rural areas; some became leftist Native writers began to describe the story of peasants who went bankrupt on the road to revolution because of their oppression and exploitation. Taking Wei Jinzhi’s novels as an example, the article analyzes the changes between “May Fourth” native literature and “Leftist” local literature.