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现代壁挂设计在发挥不同肌理特点的同时,能否弘扬我国优秀的工艺传统纹样?是否可赋予深刻的内涵?很多人持怀疑态度。为此,我在这次毕业创作:《原古系列》——“龙”、“凤”、“古老的东方”、“先民”、“太阳”等作品中进行了探索。 毕业创作,学校规定了蜡染、型染、编织三种作业。我设计构思时作了整体设想:用“原古”的母题统一其内涵,用现代壁挂统一其样式,使创作的内容和形式都充分显示出整体分量和艺术感染力。 《原古系列》设计运用了传统纹样的龙、凤和原始人形象的纹样于蜡染壁挂设计中;凤的纹样运用在型染壁挂设计中;编织壁挂中还设计了原始人形象。这三种纹样的形象设计,象征着中华民族,也慨括了中华民族崛起的历史。 “古老的东方有一条龙,它的名字就叫中国。古老的东方有一群人,他们全都是龙的传人”。
Modern wall-hanging design can not only carry forward the traditional pattern of excellent craftsmanship while exerting different texture features, but also give profound connotations? Many people are skeptical. For this reason, I conducted my research on this graduation project: “Ancient Series” - “Dragon”, “Phoenix”, “Ancient East”, “Ancestors” and “Sun”. Graduation creation, the school provides a batik, type dyeing, weaving three kinds of homework. When I designed the concept, I made the overall assumption that we should unify its connotation with the motif of “original ancient times” and unify its style with modern wall-hanging so that the content and form of creation fully show the overall weight and artistic appeal. “The ancient series” design uses the traditional pattern of the dragon, phoenix and the image of the original man in batik wall design; Feng pattern used in the dye-hung wall design; weaving wall hanging also designed the primitive man image. The image design of these three patterns symbolizes the Chinese nation and also includes the history of the rise of the Chinese nation. “There is a dragon in the ancient East whose name is called China, a group of people in the ancient East, all of whom are successors of dragons.”