浅谈“墨分五色”的文化认识原型

• 作 者: 魏伟
• 出 处: 国画家
• 发表日期: 2006年05期
• 关键词: 墨分五色 文化认识 “六要”

中国绘画,在南北朝之前主要是以色彩为主的,并因此有“丹青”之称。魏晋之际,文人们谈玄论道,不仅喜欢以艺术比兴,而且,还常常雅集在一起交流书法绘画。从而,它一方面促进了书法与绘画这两种不同的艺术形式的结合;另一方面,还促进了绘画由传统的重颜色(主要是与“五行”相对的“五色”)逐渐向重墨色变化进行转化。比如说,谢赫论绘画“六法”,

Chinese painting, mainly dominated by color before the Northern and Southern Dynasties, was thus called “Danqing.” On the occasion of the Wei and Jin Dynasties, the literati talked of mystery not only like art but also exchange artistic calligraphy and painting together. Thus, on the one hand, it promotes the combination of two different art forms: calligraphy and painting; on the other hand, it promotes the gradual shift from traditional heavy colors (mainly the “five colors” opposite to the “five elements”) to heavy ink colors Change for conversion. For example, Sheikh’s painting “Six Laws”