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随着社会的发展,人类的审美范围也日益扩大。特别是近代工业革命以来,人类的审美范围由过去的优美、崇高等扩大到滑稽、怪诞等感性现象;进入20世纪以后,人类的审美范围又进一步扩大并转向丑恶、虚无、荒诞等感性现象。相应地,反映到美学观念上,也出现了一系列的变化,传统的美学范畴逐渐地为新的美学范畴所补充或替代。美学不再只是讨论优美、崇高、悲剧、喜剧以及滑稽,而且也开始
With the development of society, the scope of human aesthetics is also expanding. Especially since the modern industrial revolution, the aesthetic range of mankind has been expanded from the beautiful and lofty in the past to funny and grotesque phenomena. After the 20th century, the aesthetic range of mankind has been further expanded and turned to perceptual phenomena such as ugliness, nothingness and absurdity. Correspondingly, a series of changes have also taken place in the aesthetic concepts. The traditional aesthetic category is gradually supplemented or replaced by new aesthetic categories. Aesthetics no longer just talks about beauty, sublimeness, tragedy, comedy, and comic but also begins