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2014年10月9日晚上,我在广州南方戏院看了秦中英编剧、香山粤剧团邓志驹主演的《南国菩提》。我觉得此剧题材新颖,曲调韵味浓郁,是近几年少见的好戏。因此,看完戏回来连夜在我一篇已经完稿的题为《广州粤剧的瞻前顾后》文章末尾加多一段赞扬《南国菩提》的文字。(见《南国红豆》2015年第2期)否则,当晚我将难以入睡。我对这出讲哲学的粤剧情有独钟。早在2009年11月30日,我和家人到光孝寺食斋时曾获赠一本《六祖
On the evening of October 9, 2014, I watched Qin Zhongying screenwriter and Southern Mountain Bodhi starring Xiang Zhiguo Cantonese Opera Troupe Deng Zhiju at the Southern Theater in Guangzhou. I think this drama novel, rich melodies, is a rare good show in recent years. Therefore, after watching the movie back overnight, I wrote a more commendatory “Bodhi in the South” at the end of an article entitled “Looking Forward for Guangzhou Cantonese Opera”. (See “Red Bean South” No.2, 2015) Otherwise, I will have difficulty falling asleep that night. I have a soft spot for Cantonese opera with this philosophy. As early as November 30, 2009, when I and my family went to Guangxiao Temple for Food, I was given a copy of “The Sixth Patriarch.”