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传统意义上,诗歌是叙事性的,我们可以从其中基于时间的线性走向中找到诗歌的整体布置和叙事发展;但是作为既是诗人又是画家的威廉·布莱克,他的《伦敦》还可以从属于绘画的“空间”的角度上进行探讨。整首诗构建于空间的两个层次——“主题化”空间和“静态”空间上,在这首诗里,空间不仅象征着文本叙述地点的切换,还有从这种切换中完成的诗歌结构和诗歌情感的渲染。因此布莱克的诗歌可以看成是诗歌艺术和绘画艺术的结合。
In the traditional sense, poetry is narrative, from which we can find the overall layout of poetry and narrative development from the linear time-based approach; but as a poet and painter William Blake, his “London” can also be subordinated to Painting “space ” point of view to explore. The whole poem is built on two levels of space - the “thematic space” and the “static” space, in which space not only symbolizes the switching of text narrative sites, but also from this switch In the completion of the structure of poetry and the emotional rendering of poetry. Therefore, Black’s poetry can be regarded as a combination of poetry and painting.