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“采风”一词源于周代,本意为“采访风俗”。《礼记·王制》中说:“天子五年一巡狩,命大师陈诗以观民风”,《汉书·艺文志》则进一步明确地指出“采风”的目的是“王者所以观风俗,知得失,自考正”,即通过收集来的民歌来观察人民的反映,检讨得失,修定政策。“采风”制度虽然是统治者为了自己的利益而建立的,但是正因为有了这一制度,才形成了知识分子下乡“采风”的传统,才使包括《诗经》、《乐府》等光辉篇章在内的一大批民族文化珍贵遗产得以保存至今。民族音乐学传入我国之后,广大音乐工作者学习国外民族音乐学家好的经验,在“采风”时不仅注意到民间音乐作品本身,还注意到这些作品赖以生成的文化背
The word “mining style” originated from the Zhou Dynasty, intended to “interview customs.” “Book of Rites King” said: “The emperor in five years a hunting, life master Chen poems to see the people”, “Han Yi Wen Zhi” is even more clearly pointed out that “mining style” is the purpose of “the king so the concept of customs, loss of knowledge , Since the test is ”, that is, through the collection of folk songs to observe the people’s reactions, review gains and losses, revised policy. Although the system of “mining the wind” was established by rulers for their own benefit, it is precisely because of this system that the formation of the tradition of “collecting the wind” by the intellectuals in the countryside brought about the glorious success of the “Book of Songs” and “Yuefu” A large number of chapters, including the precious heritage of national culture has been preserved so far. After the introduction of ethnomusicology into our country, the majority of musicians learn the good experience of foreign ethnomusicologists. Not only did they notice the works of folk music themselves, but also took note of the cultural backs that these works rely on