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新时期以来我国文艺批评不断变革发展,理论资源更加丰富,文艺观念更加开放,文艺批评方法更加多样,文艺批评学科更加追求独立性和自律性。但同时也出现了一些值得注意的新问题,最主要的是唯物史观视野的缺失,由此导致批评视野狭隘和价值观迷乱。重新理解唯物史观视野及其主要文艺观念,从而对当代文艺批评中的理论视野以及自律论、人性观、审美观等问题加以辨析,是颇有必要也有意义的。
Since the new period, the literary and art criticism in our country has undergone constant changes and development, with more abundant theoretical resources, more open literary concepts, more varied methods of literary criticism, and more critical pursuit of independence and self-discipline in literary criticism disciplines. At the same time, however, some notable new problems have also emerged. The most important one is the lack of the field of historical materialism, which leads to the narrow criticism and the confusion of values. It is necessary and significant to re-understand the visual field of historical materialism and its main concepts of literature and art so as to differentiate the theoretical perspectives in contemporary literary criticism from the theories of self-discipline, human nature and aesthetic standards.