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研究21世纪中华戏剧与影视东南亚传播议题,我们不应站在万邦来贺的中央之国的立场去看待东南亚,也不应将具体情况区别很大的东南亚各国看作是一个整体性的政治经济联盟,而应采取代表全球化立场、平等性姿态、区别性态度的东南亚研究模式。同时,弘扬中华意识,以“中华戏剧与影视”取代“华语戏剧”、“华文戏剧”、“华人戏剧”、“华语影视”、“华人影视”等指涉性窄的概念,包容那些真金白银般珍贵的跨文化传播个案和类型,这是学界应该认真考虑的重要问题。还有,坚持大戏剧观念,用发展的眼光看待发展的戏剧,把具有戏剧基本要素的影视剧看成戏剧的发展变化形态,这也是值得提倡的实事求是、与时俱进的研究态度和立场。
To study the issue of the spread of Chinese drama and film in Southeast Asia in the 21st century, we should not look at Southeast Asia from the standpoint of the central state that we wish to congratulate each other, nor should we regard the various countries in Southeast Asia that have very different details as a unitary political economy Alliance, but should adopt a model of Southeast Asian research that represents the position of globalization, equality and diversity. At the same time, it will carry forward the Chinese awareness and replace “Chinese Drama”, “Chinese Drama”, “Chinese Drama”, “Chinese Movie and Television”, “Chinese Movie and Television” with “Chinese Drama and Television” It is an important issue that academics should seriously consider, including the narrower concept and the inclusion of those genuine and precious intercultural communication cases and types. Also, adhering to the concept of grand drama, viewing the developed drama with a developmental perspective and viewing the drama with the basic elements of drama as the changing pattern of drama is also a research attitude and standpoint of advancing with the times that is worth promoting.