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常见到有的历史画喜欢用灰暗色调.内容也愁眉苦脸。我想我的《泉州古刹开元寺》是不是可以用另一种方式来表达历史。我想画一个充满活力的繁荣的泉州,选择明快的色调。每一个人都对繁荣有自己的理解.有多少人,就有多少种。我认为的繁荣就是歌舞升平.安居乐业.物质丰富,人人以礼相待。最初我是构想成一个五光十色的世界。曾经有过几种方案备选.夜色里的灯海,白天的人群等等。先生告诉我:“颜色一定要整、单纯.切忌花、碎.最好统一在一个颜色里.一目了然.而不是什么颜色都有.很凌乱。那样的画很多,你会被淹没在里面。”几番更改色稿
Common historical paintings like to use dark colors. Content also frown. I think my “Kaiyuan Temple in Quanzhou,” is not to use another way to express history. I want to draw a dynamic and prosperous Quanzhou, choose bright colors. Everyone has their own understanding of prosperity. How many people, how many kinds. I think the prosperity is peace and prosperity. Live in peace. Material rich, everyone treated with courtesy. Initially I was conceived as a colorful world. There have been several options. There are lights in the darkness of the sea, the crowd during the day and so on. Mr. told me: “The color must be the whole, simple. Avoid flowers, broken. Best unified in a color. At a glance. Not what color is. Very messy. That painting a lot, you will be submerged in it. ”Change color swatches several times