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元代道教传播在民间较为发达,道教的美学思想的影响也见诸于元杂剧的戏文中。马致远创造的杂剧大都带有道教的影子,《邯郸道省悟黄粱梦》就是明显的神仙道化剧。本文抓住剧中较为典型的道教美学思想:“清静”和“生即美”的观点来进行分析。
The Yuan Dynasty Taoist propaganda is more developed in the folk, the influence of Taoist aesthetics also seen in the drama of Yuan drama. Most of the novels created by Ma Zhiyuan bear the shadow of Taoism, and “Handan Province Tao Wu Liang dream” is obviously immortal Taohua drama. This article seizes the typical Taoist aesthetics thought in the play from the perspective of “quietness” and “life is beauty”.