论文部分内容阅读
日本影片《火红的第五乐章》,是一部典型的音乐故事片。捷克作曲家德沃夏克的《E小调第九交响曲》(“新世界”作品95),贯穿于全剧的始终。这部影片的成功,并不仅在于交响曲旋律的优美,也不在于故事情节的跌宕,而在于它把二者有机地揉合在一起,互相衬映,以音乐来烘托故事的主题,在紧扣主题的旋律中展示故事的情节,在故事情节的发展过程中充分发挥音乐陶冶情感的作用,使之相得益彰,在如何利用音乐来为故事的主题服务的问题上,《火红的第五乐章》无疑是一次成功的尝试,值得我国电影界学习和借鉴。
Japanese film “Flaming fifth movement”, is a typical music feature film. The Czech composer Dvorak’s “Eighth Minority Symphony No. 9” (“New World” works 95), throughout the play. The film’s success, not only in the beautiful symphony melodies, nor in the ups and downs of the story, but rather that it combines the two organically together, reflect each other to music to set the theme of the story, the tight In the deduction theme melody, the story of the story is displayed. In the development of the story, the emotion of the music is brought into full play. On the question of how to use the music to serve the theme of the story, “The Fifth Movement in Flames” Undoubtedly a successful attempt, it is worth learning from the cinema industry and learn from.