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我难以说清这次阅读的感受,这是一次非常偶然的邂逅,陌生得令人惊喜,却又复杂,难以理清。我说的是读了女作家赖赛飞《快手的手》等三篇散文之后的感觉。猛一想,我也是见识过不少散文的,在我看来,散文之于文学,一如狂草之于书法。它们大致有一个共通点:看似门槛低,实则台阶高,入门易,登堂难。放眼当代散文界,玩票打诨者多,扎马坐科者少;信马由缰者众,张弛有度者
I can hardly tell the feeling of reading. This is a very accidental encounter. It is surprisingly strange but complex and hard to sort out. What I am talking about is the feeling after reading the three essays, such as the writer’s hand, Fast Hands. I fierce thought, I have seen a lot of prose, in my opinion, essay in literature, as mad as in the calligraphy. They generally have one thing in common: seemingly low threshold, but in fact the steps are high, easy to get started, Deng Deng difficult. Looking at the contemporary essay circles, playing more than those who play tickets, Zama sit subjects less;