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一说真的,讨论绘画已经让我腻烦,作为一个对理论探讨将信将疑的艺术工作者,有时我甚至认为,语言到达不了的地方,才有绘画和绘画存在的理由。倒不是说语言文字尴尬化了长于实践的艺术家的理论企图,而是,在目前这样无可逆转的社会现实和供需分明的艺术生产关系下,任何企图扭转或纠正时弊的言说都很难奏效。1977年,在讨论关于图像的修辞中,罗兰·巴特说:“今天,在大众传播的层面上,看起来好像语言的信
As a matter of fact, discussing painting has bothered me. As an artist who discredits the theory by theory, sometimes I even think that there is a reason for the existence of painting and painting if the language can not reach it. Not to say that language embarrasses theoretical attempts by longer-than-practice artists, but that any attempt to reverse or rectify the shortcomings will not work with such an irreversible social reality and a clear supply-and-demand relationship of art production. In discussing the rhetoric of images in 1977, Roland Barthes said: ”Today, at the mass media level, it looks like language letters