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在21世纪的第一个十年过后,出生于1980年代的青春偶像作家们的“文学神话”开始了急剧的衰败,他们开始转型进入更具娱乐精神和经济效益的演艺界,这也是一个鲜明的象征:他们终究是文学沃野上的无根浮萍。与此同时,一批认真严肃、赓续传统的青年作家群正在迅速崛起,推动这次崛起的重要力量,不再是蜂拥造势的媒体,而是和他们同龄的优秀批评家。与以往的文学史相似,这些批评家都集中在北京、上海这两个文化中心,杨庆祥、徐刚、刘涛、岳雯以及金理、黄平、项静等,都是其中的优秀
After the first decade of the 21st century, the literary myths of young idol authors, born in the 1980s, started a sharp decline and began to transform themselves into the more entertaining and cost-effective entertainment industry A distinctive symbol: they are, after all, rootless duckweed on the fertile land of literature. At the same time, a group of serious young writers who are serious and traditional continue to emerge rapidly. The important force for promoting this rise is no longer a mass media, but an excellent critic of their age. Similar to past literary history, these critics are concentrated in the two cultural centers of Beijing and Shanghai. Among them are Yang Qingxiang, Xu Gang, Liu Tao, Yue Wen and Jin Li, Huang Ping and Xiang Jing