论文部分内容阅读
1988年美术界有一位理论家和一个展览会在读者和观众中大出风头,这就是写了《裸体艺术论》这本书的陈醉同志——摄影记者们刚才还纷纷把镜头对准他;再就是这次“人体艺术大展”。 整整十年前,中央美术学院学报《美术研究》杂志复刊,也有两位同志大出风头,这就是邵大箴和钱绍武同志,他们为《美术研究》复刊第一期撰写《关于人体模特儿》和《为什么要画裸体模特儿?》这两篇专论,在长期严禁画人体模特儿和人们已经习惯于规行矩步之后,这可不是一件小事。《美术研究》在
In 1988, there was a theorist and an exhibition in the fine arts world with a strong audience and audience. This is the drunken comrade who wrote the book “Nude Art Theory” - photographers have just been looking at him just now; Then there is this “Art Exhibition”. A decade ago, there was a resurgence of the Journal of Fine Arts Research of the Journal of the Central Academy of Fine Arts, with two other comrades taking the limelight. This was Comrade Shao Dazhen and Qian Shaowu. They wrote “About Mannequins” for the first issue of “Art Research” “Why do we have to nude models?” These two monographs are not a trivial matter for a long time after man-made models are strictly banned and people are accustomed to performing routine. “Art Research” at