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建筑空间艺术的所谓虚,也可以说就是空,或清空,空灵,或者就是说无;所谓实,就是实在,结实或质实,或者就是说有.后者比较有形,具象,容易被感知,前者则多少有些飘乎不定,空泛,不易为人们所感知,但这两者在空间艺术中却是相生相连缺一不可的.然而就民居室内的“虚”“实”空间艺术而言,“虚”“实”关系的涵盖面具有非常广泛的涵义:空间围护体各立面要素的虚实对比;空间组织中家具及梁柱虚拟围合成的局部空间与整体空间那复合多样的“流动空间”的存在,无一不坦露着古代中国人寄于居住空间与自然环境的体味和观照.1、传统民居室内空间的构成要素构成民居内部空间的要素主要有门,窗、屏门、槅扇、帘架、碧纱橱、槛窗、支摘窗、花罩类:(包括几腿罩、落地罩、栏杆罩、炕罩、圆光罩、八角罩等)、天花、板壁、太师壁、博古架等.
The so-called virtual art of architectural space art can also be described as emptiness, emptiness, ethereal, or non-existentialism. The so-called reality is reality, solidity or quality, or in other words, the latter is tangible, concrete and easily perceived, The former is somewhat uncertain and vague and not easily perceivable by people, but these two are inextricably linked in the space art.However, in terms of the art of “virtual” “real” space in residential buildings, The coverage of “virtual” and “real” relationships has a very broad meaning: the contrast between the real and the physical elements of the facade of the space envelope; the combination of the local space and the overall space in the spatial organization of the furniture and the beam and column, The existence of the ancient Chinese are all exposed to the living space and the natural environment of the body odor and contemplation .1, the traditional elements of the composition of the interior space constitutes the main elements of residential interior space, windows, screen door, 槅(Including legs cover, floor cover, railings cover, kang cover, round mask, octagonal cover, etc.), ceilings, siding, wall too , Gu Gu frame and so on.