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《一件小事》构成了鲁迅精神发展史的重要一环。它折射出《呐喊》时期鲁迅“绝望”与“希望”并立的创作心态。就故事情节而言,以往被结构性忽略的摔倒的老女人,以其麻木的国民形象,与“沉入国民中”的“我”构成同质的链条,而车夫的行为以一种异质的方式触动了“我”的灵魂,唤醒自我并因而加以内省。与《藤野先生》相比较,对象化的客体人物形象并不直接与鲁迅内在精神的觉醒之间相连,而是由主体自我将主观意识投射于客体形象之上时,文本的意义才得以彰显。增长了勇气是关乎鲁迅精神世界的关键之处,也是作品的主旨所在,这显现出以不懈的抗争虚无与黑暗为根基的鲁迅精神的端倪。
“A Trivial Matter” constitutes an important part of Lu Xun’s spiritual development history. It reflects the creation mentality of Lu Xun “Despair ” and “Hope ” in the period of “crying”. As far as the story is concerned, the old fallen woman who has been neglected structurally in the past constitutes a homogenous chain with its numbed national image and “I ” who “sinks into the people”, and the behavior of the driver Touched the soul of “I ” in a heterogeneous way, awakening itself and thus introspection. Compared with “Mr. Fujino”, the objectified object character image is not connected directly with the awakening of Lu Xun internal spirit, but the subjective consciousness is projected onto the object image by the subject self, the significance of the text can be demonstrated. Increasing courage is the key to Lu Xun’s spiritual world and the main thrust of his work. This shows the clue of Lu Xun’s spirit based on unrelenting resistance to nothingness and darkness.