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看老贾平凹的画作,印象更像是在做梦,黑乎乎的虎啊,满面宿墨的人啊,还有鱼非鱼人非人,注定是只能出现在贾氏笔下的新物种,一一都从他的纸上跳将出来。那棵华山松,枝干真是有力,用笔真是老辣,下边横躺一裸女,旁竖坐一猴子,不知是什么故事,令人想入非非,这便也是一梦。老贾的《老屋》更是一个梦,那屋子分明太暗,要暗出鬼魅。还有《游海图》《问鱼》,都是梦里的事情,不会是太阳下的情节,这种画晚间是不敢看的,还有他的《女人与陶瓶》,
Looking at the paintings of Lao Jia Pingwa, the impression is more like a dream, a dark tiger, a person who is full of ink, and a non-human fish, destined to be a new species that can only appear in Jia’s works Jumping from his paper will come out. That Huashan pine, branches really powerful, pen really hot, lying next to a nude, next to a monkey sitting, I do not know what the story, it is a dream, it is also a dream. Lao Jia’s “old house” is a dream, that house is too dark, to implicit ghosts. There are “travel chart” “asked the fish,” are the things in the dream, not the plot under the sun, this painting is not seen at night, as well as his “woman and pottery”