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岁月倥偬,第一届“书非书”活动,转眼已越五年。留下至深印象的是日本现代书家井上有一的个展。但在当时,井上的书艺并未真正引起我的注意,我将之视为“类书法”的一般抽象绘画。只是他的影像资料却让我见识了某种书者独特的书写状态及其心灵的吟哦。2009年,我意外闯入井上的硬笔书法在杭州的展场,那坚定的横轴式的草稿书写令我心中一凛。海上雅臣先生送我他所著的井上传记。回去读后,直让我
Years 倥 偬, the first “book non-book ” activities, an instant has more than five years. The most impressive impression is that there is a solo exhibition in Japan’s modern history. At that time, however, Inoue’s art and writing did not really attract my attention, and I saw it as a general abstract painting of “class calligraphy.” However, his video material has let me see the unique writing state of some kinds of writers and their mind Yin. In 2009, I accidentally broke into the upstairs hard calligraphy exhibition in Hangzhou, that strong horizontal axis of the draft make me feel a cold. Mr. Masamitsu sent me his Inoue biography. Back to read, let me straight