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在创作现代舞的同时,演员与编导关系紧密,而不少演员就是编导,很多时候编导也可以成为演员。尽管两者的关系紧密,但由于身份不同,看待作品的角度、立场还有一定差异。当前,作品能否创作需要编导把握作品,呈现高质量。此间没有编导创造好的作品,在演员舞台表演的时候就会缺乏生命力。编导当前需要重视演员的个性,发挥演员的特长,尊重演员理解作品。本文就作品的创作出发,探讨了如何在作品中结合编导的创作灵感,实现编剧与演员之间的互动。
In the creation of modern dance at the same time, the actor and director closely, and many actresses is director, often director can become an actor. Although the relationship between the two is very close, there are still some differences in their positions due to their different identities and views on the work. At present, whether a work can be created requires the director to grasp the work and show high quality. There is no good work created by the director here, and there is a lack of vitality in the performers’ stage performances. Director of the current need to attach importance to the actor’s personality, to play the actor’s expertise, respect for the actor to understand the work. Based on the creation of the works, this article explores how to combine the director’s inspiration in the works and realize the interaction between the writer and the actors.