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每次欣赏陈汉农先生的作品时,很难摆脱与石的联想,不论是斑纹奇异宛若磐石躯干;或是树“石”交融的“附石”式;还是形状奇特的“飞来石”。无不给观者留下深刻印象。在选材造型设计方面,作者慧眼独具,善于搜索奇树,从顽拙中发现奇妙,并运用创造力与自己审美意识相结合创造出具有自己风格的作品,使观者耳目一新。作品《日月长》(《花木盆景》93年5期)中那静卧在盎盆面上土黄色的躯干扰如两块浑园的鹅卵石,令人叫绝的是作者有意栽植在两块“石”旁的几株小草,更衬出“石”的“苍古遥远,荒野妙趣”的韵味。当目
Every time you admire Mr. Chen Hanong’s work, it’s hard to get rid of the association with the stone, whether it is a monstrous stripe like a rock torso, or a “stone” blend with a tree “stone” or a peculiar shape Stone “. All impressed the viewer. In the design of the material selection, the author is unique in eyesight, good at searching for odd trees, finding wonderful from stupidness, and using his creativity and his own aesthetic sense to create his own style works so as to refresh the audience. Works ”sun and the moon“ (”Flower bonsai“ 93 5) in the soil lying on the surface of the yellowish turf interference such as two pebbles park pebbles, it is remarkable that the author deliberately planted in two ”Stone “ next to a few strains of grass, but also set off ”Stone “ ”Canggu distant, wilderness fun" flavor. When the head