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油画进入我国百余年的时间,在很多方面都发生了非常大的变化,我国的油画发展也逐渐呈现出了具有我国特色的趋势,也丰富了我国的美术文化的形式。对于油画的教学工作,近些年来也取得了很大的进步,教学层次比较多,也培养出了不同层次的人才。学生的水平也有很大程度的改善,在创作理念与手法上的进步非常的明显。总体来说油画在我国的发展已经取得了巨大的进步。当代风景油画时油画的主要表现形式之一,其内容以风景为主。在西方时期,风景油画能够反映出创作者所处地区的地方特色和创作者的情感。在我国,风景油画也具有我国特色,在很多方面与国画具有相似之处。本文的内容主要是对我国风景油画中的写意的特性进行的研究。按时间顺序将写意性在我国的风景油画发展历程中的表现进行进一步的厘清,从现代与当代两个角度入手对风景油画的写意性进行深入的分析。
In more than a hundred years, oil painting has undergone tremendous changes in many aspects. The development of oil painting in our country has also gradually shown the trend of featuring Chinese characteristics and also enriched the form of art culture in our country. The teaching of oil painting has also made great strides in recent years with more teaching levels and different levels of personnel training. The level of students has also been greatly improved, the progress in the creation of ideas and techniques is very obvious. In general, the development of oil painting in our country has made great strides. One of the main forms of oil painting in contemporary landscape painting is oil painting, whose content is mainly landscape. In Western times, landscape paintings reflect the local characteristics of creators ’regions and the creators’ emotions. In our country, the landscape painting also has the characteristics of our country and in many ways has similarities with the traditional Chinese painting. The content of this article is mainly about the research of the freehand characteristics in the landscape painting of our country. According to the chronological order, we will further clarify the performance of freehand writing in the development of landscape painting in our country and make an in-depth analysis of the freehand brushwork of landscape painting from both modern and contemporary perspectives.